I was having babies and pretending to be Donna Reed during the provocative 60’s, so I pretty much slept through those years. Chasing two rambunctious boys left me too worn out to focus on anything more serious than Pablum. For all I knew, the Beat Generation could have been a group of tired wives and mothers like me. Hippies? They were people born with unfortunate hips.
Ken Kesey. Jack Kerouac. Neal Cassady. Allan Ginsburg. William Burroughs.
While I was changing diapers and making formula, Jack Kerouac, in a multi-colored, psychedelic bus loaded up his friends and took his first cross-country trip. He called it Further, but Tom Wolfe later named it, The Electric Kool-Aid Acid Test. I didn’t know squat about any of that. Longhaired hippies lived in San Francisco’s Haight-Ashbury, not in my little corner of the world. By the time I was in a position to boogie with the Grateful Dead, I was too old to dance.
A few years after Kerouac’s Further, I awoke from my civic narcolepsy and did something completely foreign to the “me” I had been, I protest marched against the war. My rebellion, however, did little more than guarantee my name and photograph to be forever embedded inside a folder at FBI headquarters in Quantico, Virginia. Nonetheless, I was proud of myself for having done something. After recovering from the initial shock of breaking with tradition, my one act of defiance helped me to understand that it was okay to think outside of the Pablum Package.
About that same time, Ken Kesey took me on a journey inside his head ~ not one of his psychedelic road trips, but a much shorter one than he ever took. His movie, One Flew Over the Cuckoo’s Nest was the dawning of the Age of Aquarius for me — my Aha Moment.
For middleclass Americans brought up in or before the 50’s, Jack Nicholson’s role in the film was seen as nothing more than the character he portrayed. Although for all of my previous adult years I had behaved more like June Cleaver than June Cleaver, I somehow saw Mac McMurphy as something else. He was the kid on the playground brave enough to stand up to the school bully. I saw the wretched nurse Ratched as the bully — McMurphy’s antithesis. God only knows how I did it, but it seemed clear to me that Kesey illustrated just how often powerful politicians try to silence the counterculture and anti-establishment groups.
We all take freedom for granted. We are no different from kids at Christmas who are given so many toys that none of them are special. Kesey and his band of Merry Pranksters hoped that their message, drug-induced though they were, would resuscitate an apathetic people. For sure, the arrested childhood of the counterculture was a backward way to move forward, but they made some waves and ultimately made a difference. They opened up Pandora’s Box and forced cans of political worms to wriggle out. NFL players have earned the hero title for doing less.
These days I don’t march or hold up protest placards, but as an American citizen, I insist on my right to do so. I want to get back to the freedom of speech I used to know but too often take for granted, especially today. I need to trust that my right of peaceful assembly written in the First Amendment to the Constitution will always allow me to dissent against wrongdoing, no matter who commits it. I am not willing to forfeit my privileges and neither should you. The Constitution of the United States says we don’t have to. At least, today it does. Who knows how long before that gets changed too?
We have been charged with a provocative edict: to uphold the visions set in motion when early Americans defied England over two hundred years ago. If we are to make our dissenting forefathers proud, we cannot sleep through times when gluttonous games are being played by corrupt officials and we cannot remain silent when our Supreme Court fails to do the right thing.
The freedom of speech is my right. It is your right. The freedom to rebel is our heritage and given our proud history, how can we do less?
The Beat Goes On.